In response to student feedback I’m offering a series of three tightly structured 5-day workshops in May 2020. Two are for advanced students only and designed to take your stained glass practice to a new level.
Instruction includes Powerpoint presentations, technical demonstration, hands-on group exercises and individual projects. In these workshops I will teach practical skills and repeatable, step-by-step processes that are difficult to learn online or figure out on your own. For example, mixing glasspaint to optimum viscosity and drying speed for various tools and brushes; and gaining a clear understanding of the work-flow for designing or painting a stained glass window.
About me? This recent podcast covers my career as a stained glass artist and includes the mathematics I’ve been working on in recent years. Many thanks to interviewer Shawn Waggonner, she really got me to open up!
Check out the drop-down menu items under GLASS to read workshop descriptions and more.
In the process of making stained glass there are two stages where the glass is easeled up against the daylight. First, when selecting glass, then later, when glasspainting. Easeling glass is time-consuming and thus expensive, so why do this?
Here’s my current work for All Saints Chapel at Carroll College in Helena Montana. Note how the opalescent glasses change at night/dusk. This is an effect that can only be estimated, whether on light table or easel, because my north-facing easel does not precisely mimic the light in Montana. The easel does, however, take out a lot of the guesswork.
Impeccably cut glass tiles. All precisely the same size. Clean, perpendicular edges. No shelling, flares or ragged grozing. Much is handmade antique glass, including Lamberts, Blenko and some ancient English Hartley Wood streakies. Some is almost 1/4″ thick, yet the craftsmanship is exemplary and, believe it or not, cut by complete beginners – mostly without using a grinder. All thanks to the wonderful Morton glass cutting system.
I have been teaching Stained Glass Tiling at Williams College in Massachusetts every day throughout January. Here’s the glasscutting in progress, plus some of the geometric constructions done during the first week of the course.
Students had to use a straight-edge and compass only (no rulers, protractors or computer printouts) to draw precise, accurate polygons that would nest together to form a tiling without gaps. Along the way, they figured out how to set stops and cutting bars on their Morton surface and cut multiple identical copies of the same shape.
Today, students finished copperfoiling and soldering, and started to frame their panels. Every tiles was painted and fired. More pictures soon!
Even better, if you’re nearby, do come and see their work for real, on display in the science building at Williams College. We will be holding a reception from 1pm – 2.30pm this coming Thursday, Jan 28th, on the third floor corridor between the Physics building and the Chemistry building, above the Eco Cafe. Enter through the cafe from the Science Quad and look for signs.
Stained glass tracery at the top of my window for Trinity Episcopal, Branford CT. Assembling the painted glass into a matrix of lead channels. Soon to be installed, the window will be dedicated on November 30th.
Assembly of stained glass window for Trinity Episcopal Church Branford, Connecticut